Wednesday, March 23, 2011

| the single life: issue fifteen |

// James Blake - What Was It You Said About Luck? //

 

The biggest breakout artist of the last half year or so has got to be James Blake. Heralded as the pioneer of post-dubstep, the electronic wunderkind is a fixture in any discussion of what's the shit right now. His more recent work seems to have taken a more soulful turn, with Blake providing the vocals himself instead of sampling. Thought the album is a masterwork, I've decided to post "What Was It You Said About Luck?" - a B-Side from the "Wilhelm Scream" single. It is a minimalistic yet hearty 2:20. As with much of Blake's work, categorizing or even concisely describing this song is very hard to do. There are elements of songs you know and like, but they put together in eye-opening fashion. Gem status.


// Wiz Khalifa - The Race //

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I've had doubts about Wiz Khalifa's staying power in the industry. He'll always have "Black and Yellow," but what else does the super rook have up his sleeve? With Rolling Papers due out at the end of this month, the stoner rapper fom PA figures to keep the momentum going. With "The Race", Wiz pretty much has a sure radio-friendly hit. There's no doubt in my mind that you'll hear this at every BBQ you go to this summer. The super chill vibe (courtesy of ID Labs) is absolutely perfect for that laid-back afternoon.


 // The Strokes - Taken For A Fool //


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Since their meteoric rise to fame in the early-mid 2000's, The Strokes have largely failed to fulfill the enormous expectations cast upon them by their supporters. The after putting out First Impressions of Earth in 2006, the group cited artistic differences and went on an extended hiatus. After years of jerking their fans around, the group somewhat unexpectedly put out Angles. The album has glimpses of the sound that brought them to prominence, but also falters in its experimentation with new sounds. Among the winners on the new album is "Taken For A Fool." The track is energetic and sounds like a complete effort (which, sadly, is an accomplishment considering the band's lack of cohesiveness). The guitar licks in the chorus are classic Strokes, and Julian Casablancas vocals actually mesh with the instrumental track instead of just hovering somewhere above it. Hey, it might not be "Reptilia", but I'm just glad they've still got some of the magic left.


// Robin Pecknold (w/ Ed Droste) - I'm Losing Myself //


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For fans of Seattle-based folk sextet Fleet Foxes, Robin Pecknold is recognized as a gifted and honest singer and songwriter. Enlisting Grizzly Bear frontman Ed Droste for a duet is a great look for fans of the two bands. "I'm Losing Myself" is a tale of insecurity and romantic contentment. The two singers' voices in harmony is spot-on, delivered with agonizing purpose. Despite the apparent simplicity of the song, there's an overwhelming quality to it. As the listener, I couldn't escape the crushing weight of Pecknold's confession: "He's a smooth talker, and he shaves his face / And I wonder if you look at me and instead see him taking my place." The song is so undeniably honest; I can't seem to pry myself away from it.


 // Red Cafe f. Lloyd Banks & Fabolous - The Realest //


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I've been riding with Red Cafe for years now. He's been on his grind for what seems like an eternity, and I hope that he'll find a way to break through. Off his recent mixtape entitled Above the Cloudz, Caf unites with Lloyd Banks and frequent collaborator Fabolous. Nothing fancy here, just a lot of chest thumping over a typical street beat with air horns and fake flutes... and it's great.

Monday, March 21, 2011

| the single life: issue fourteen |

// The Civil Wars - I've Got This Friend //


 The Civil Wars are an indie folk duo comprising of Joy Williams and John Paul White. Best known to date for having their heart-wrenching ballad "Poison and Wine" featured on Grey's Anatomy, the pair recently released their first full-length studio album. Barton Hollow features many soaring harmonies that Williams and White have seemed to perfected in the relatively short period of time they've been performing together. "I've Got This Friend" is a folky number about that friend who just can't seem to find love. The tone of the song meanders between playful and melancholic, while both singers let loose vocally. Great stuff.


// One Republic - Secrets (Oblivion RMX) //


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I've got to admit, the release of One Republic's Waking Up two years ago totally flew under my radar. I've got a ton of respect for frontman Ryan Tedder, but One Republic's stuff has always seemed a bit one dimensional to me. Enter: Oblivion. Quite a few blogs have been showing much love to Oblivion's dubstep reinterpretation of One Republic's "Secrets." As we've seen lately, dub is slowly but surely creeping its way into mainstream pop. The glitchy robotic beeps and buzzes hit hard and enliven the polished (but relatively pedestrian) strings and percussion of the original. Check this out if you're curious about dub, but can't stomach whole tracks of it (yet).


// Big Sean f. Chris Brown - My Last //


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To the average casual music listener, the name Big Sean probably isn't considered a household name. Still a relative unknown compared to his famed GOOD Music stablemates, the Detroit native comes full-value on his latest single, "My Last." Assisted by a classy No ID production and catchy Chris Brown hook, the slick emcee raises his glass to life in the bigs. It's a feel-good track with a few whip-smart lines that'll crack a few smirks: "Since I signed the con’, I’m Louie Vuitton shine/ Up in Benny Han Han eating all the Wonton / Rose rose over a little Chandon / Put her hands down my pants, now she rocking Sean John." Look out for Finally Famous, due out early May.


 // Lupe Fiasco - All Black Everything //


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With LASERS, it's clear that Lupe Fiasco had to go for a more radio-friendly aesthetic. With Atlantic breathing down his neck, it's not surprising that album sales became the focus. Thankfully, Fiasco's lyrical pedigree is still front and centre for the majority of the album. On "All Black Everything", the Chicago emcee reimagines Black History had the cards been dealt differently. Set to a glamourous sample of the jazz standard "I'll Be Seeing You", the track soars as Lupe ultimately rallies for a brighter future. The other side of the coin, then, is a criticism of modern day Black culture. Take from what you will, but it's at least an intriguing conversation starter. What if...?

Wednesday, March 16, 2011

| R.I.P. Nate Dogg |




The best hook man in the business, period. 
Rest in Peace.