Tuesday, March 29, 2011

| the single life: issue sixteen |

// Pusha T - My God //

 

Leaked as a single in early February, "My God" is the crown jewel of Pusha T's recent mixtape effort, Fear of God. There is no catchy hook or chorus here, just Push oozing conviction and laying his proverbial foes to rest. Between the electric guitar riff and the measured snare rolls, the track plods along almost at the pace of a funeral procession. The tambourine and organ add a little flare, but there's no mistake that this cut is weighty and dark. The simplistic yet powerful "Yes, my God..." hook fills so much space the way it echoes. This is a man with confidence at an all-time high, and we are listening to his self-affirmation.


// Frank Ocean - Songs For Women //

 

California-based hip-hop collective Odd Future (Wolf Gang Kill Them All) have made many a-wave in the last couple of months. In a nutshell, they're as bizarre as their name might suggest. If their outlandish approach isn't for you, it may help to know that there's at least one apple in the bunch providing a little bit of mellow flavour. Frank Ocean is the group's resident R&B singer/songwriter, known to some for his previous work writing for John Legend and even Justin Bieber. He's another unfortunate case of a talented young man, signing a major label deal and never getting the chance to shine. The story is documented briefly here. Off his self-released album titled Nostalgia, Ultra., "Songs For Women" is a super chill track which showcases Ocean's production talents. He's got a pretty decent singing voice to boot. Does he sing songs to win over the ladies? Check it out for yourself.


 // Daft Punk - The Son of Flynn (Ki: Theory Remix) //

 

The soundtrack for Tron Legacy was already pretty sweet. Last week, we were treated to a reworking of Daft Punk's original score by a gamut of electronic heavyweights. From Crystal Method to Paul Oakenfold to M83 and Kaskade, there are plenty of familiar names on the bill. My favourite track from Tron R3C0NF1GU3D is Ki:Theory's remix of "The Son of Flynn". That electric guitar just about makes me lose my shit every time. For those of you looking for a new powersong to freshen up your workout playlist, here you go.
 // The National - You Think You Can Wait //


Now completely changing gears, here is an utterly wonderful track from The National. The title track for the upcoming film, Win Win, "You Think You Can Wait" has a sort of grounding effect on me. It's music for your moment of clarity. The question,"you think you can wait?" is perhaps one of the hardest and most honest questions a person can ever ask him/herself. This song challenges you on a different level than what you would expect from a mere song. It's spooky, but you can't deny good music. What effect does it have on you?

// Shlohmo - Places //


Loosely categorized as "experimental", Shlohmo's "Places" is a peculiar piece of work that I can't put down. The LA-based producer seems to have various hip-hop influences in his work. Most notably, I'm hearing a lot of D'Angelo in here. The cool thing about "Places" is its movement - it seems to be constantly going somewhere, blossoming. It's chill, ambient, and simply relaxing. I'm a fan.


// Funeral Party - Car Wars //

 

I could be a bit off on this one, but Funeral Party really reminds me of The Rapture. In any case, the Cali indie rock quartet can at least groove like the now-defunct dance-punk band. Funeral Party's first album, The Golden Age of Knowhere, released earlier this year to generally warm critical reception. Boosting a boogy-down bass groove and some electric vocals from frontman Chad Elliot, "Car Wars" will definitely get a few people up and cutting a rug.

Wednesday, March 23, 2011

| bad, real bad: rebecca black |



...... how does this have 36+ million views, and when did Michael Strahan and Flo Rida fuse to become a single person?

You know, there are just some things you can't unhear.

| the single life: issue fifteen |

// James Blake - What Was It You Said About Luck? //

 

The biggest breakout artist of the last half year or so has got to be James Blake. Heralded as the pioneer of post-dubstep, the electronic wunderkind is a fixture in any discussion of what's the shit right now. His more recent work seems to have taken a more soulful turn, with Blake providing the vocals himself instead of sampling. Thought the album is a masterwork, I've decided to post "What Was It You Said About Luck?" - a B-Side from the "Wilhelm Scream" single. It is a minimalistic yet hearty 2:20. As with much of Blake's work, categorizing or even concisely describing this song is very hard to do. There are elements of songs you know and like, but they put together in eye-opening fashion. Gem status.


// Wiz Khalifa - The Race //

Download

I've had doubts about Wiz Khalifa's staying power in the industry. He'll always have "Black and Yellow," but what else does the super rook have up his sleeve? With Rolling Papers due out at the end of this month, the stoner rapper fom PA figures to keep the momentum going. With "The Race", Wiz pretty much has a sure radio-friendly hit. There's no doubt in my mind that you'll hear this at every BBQ you go to this summer. The super chill vibe (courtesy of ID Labs) is absolutely perfect for that laid-back afternoon.


 // The Strokes - Taken For A Fool //


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Since their meteoric rise to fame in the early-mid 2000's, The Strokes have largely failed to fulfill the enormous expectations cast upon them by their supporters. The after putting out First Impressions of Earth in 2006, the group cited artistic differences and went on an extended hiatus. After years of jerking their fans around, the group somewhat unexpectedly put out Angles. The album has glimpses of the sound that brought them to prominence, but also falters in its experimentation with new sounds. Among the winners on the new album is "Taken For A Fool." The track is energetic and sounds like a complete effort (which, sadly, is an accomplishment considering the band's lack of cohesiveness). The guitar licks in the chorus are classic Strokes, and Julian Casablancas vocals actually mesh with the instrumental track instead of just hovering somewhere above it. Hey, it might not be "Reptilia", but I'm just glad they've still got some of the magic left.


// Robin Pecknold (w/ Ed Droste) - I'm Losing Myself //


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For fans of Seattle-based folk sextet Fleet Foxes, Robin Pecknold is recognized as a gifted and honest singer and songwriter. Enlisting Grizzly Bear frontman Ed Droste for a duet is a great look for fans of the two bands. "I'm Losing Myself" is a tale of insecurity and romantic contentment. The two singers' voices in harmony is spot-on, delivered with agonizing purpose. Despite the apparent simplicity of the song, there's an overwhelming quality to it. As the listener, I couldn't escape the crushing weight of Pecknold's confession: "He's a smooth talker, and he shaves his face / And I wonder if you look at me and instead see him taking my place." The song is so undeniably honest; I can't seem to pry myself away from it.


 // Red Cafe f. Lloyd Banks & Fabolous - The Realest //


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I've been riding with Red Cafe for years now. He's been on his grind for what seems like an eternity, and I hope that he'll find a way to break through. Off his recent mixtape entitled Above the Cloudz, Caf unites with Lloyd Banks and frequent collaborator Fabolous. Nothing fancy here, just a lot of chest thumping over a typical street beat with air horns and fake flutes... and it's great.